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Photo London 2023

  • 05 May — 31 May 23

We are excited to share and welcome you to our booth (G2) from Thursday 11th to Sunday 14th of May for Photo London at Somerset House.

This year Atlas is presenting a selection of incredible works from a range of artists; including some newly released works by Andreas Gefeller, Nick Brandt, Kacper Kowalski and Bastiaan Woudt. ⁠

We will also be showing a selection of never seen before unique contact prints by Terence Donovan, as well as a selection of works from our celebrated exhibition The Black Triangle on the civil rights movement in the UK, USA and South Africa. ⁠ ⁠

We will also be hosting two book signings: 

Andreas Gefeller, will sign his new monograph Works 2023-1996, published by Hatje Cantz, on Saturday 13 May from 3 to 4pm.

Kacper Kowalski will sign his new book Event Horizon published by 1605 Collective, on Sunday 14 May, from 12:30 to 2pm. 

NICK BRANDT | VANLEY BURKE | POGUS CAESAR | TERENCE DONOVAN | FRAUKE EIGEN | ARMET FRANCIS | ANDREAS GEFELLER | GEORGE HOYNINGEN-HUENE | IRVING PENN | JÜRGEN SCHADEBERG | STEVE SCHAPIRO | SYD SHELTON | ERNEST WITHERS | BASTIAAN WOUDT

Andreas Gefeller
Andreas Gefeller

Dust 063
Inkjet print

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Andreas Gefeller
Andreas Gefeller

077, Dust, 2022
Inkjet print

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Andreas Gefeller
Andreas Gefeller

048-2 Rain, 20202
Inkjet print

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NICK BRANDT
NICK BRANDT

Harriet and People in Fog, Zimbabwe 2020
Archival pigment print

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Nick Brandt
Nick Brandt

Lineth and Kini, Bolivia, 2022
Archival Pigment Print

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Nick Brandt
Nick Brandt

Lucio and Chascas, Bolivia, 2022
Archival Pigment Print

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Nick Brandt
Nick Brandt

Luis and Hernak I, Bolivia, 2022
Archival Pigment Print

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NICK BRANDT
NICK BRANDT

Fatuma, Ali & Bupa, Kenya 2020
Archival pigment print

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NICK BRANDT
NICK BRANDT

Halima, Abdul and Frida, Kenya, 2020
Archival pigment print

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Kacper Kowalski
Kacper Kowalski

Event Horizon 438, 2021
Inkjet print

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Kacper Kowalski
Kacper Kowalski

Event Horizon 024, 2021
Archival pigment print

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Kacper Kowalski
Kacper Kowalski

Event Horizon 30, 2021
Archival pigment print

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Kacper Kowalski
Kacper Kowalski

Event Horizon 132, 2021
Archival pigment print

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BASTIAAN WOUDT
BASTIAAN WOUDT

Bubble, 2022
Archival pigment print

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BASTIAAN WOUDT
BASTIAAN WOUDT

Stratum, 2021
Archival pigment print

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Andreas Gefeller
Andreas Gefeller

053, Clouds, 2019
Inkjet print

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Andreas Gefeller
Andreas Gefeller

040 (Medicane)
Inkjet print

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Andreas Gefeller
Andreas Gefeller

025, Water Reflection, 2018
Inkjet print

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Andreas Gefeller
Andreas Gefeller

051, Clouds, 2019
Inkjet print

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George Hoyningen-Huene

Erna Carise, 1930
Platinum Palladium Print

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George Hoyningen-Huene

Horst Torso, Paris, 1931
Platinum Palladium Print

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TERENCE DONOVAN
TERENCE DONOVAN

Yvonne Nightingale, Advertising shoot for Vidal Sassoon, 18 March 1959

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Untitled contact print, c. 1960s

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Cindy Crawford, 1988

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Naomi Campbell, A Shining New Season for British Evenings’ Hat by Stephen Jones, British Elle, September 1988

Unique Vintage Silver Gelatin Contact Print, 6 x 8 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Cindy Crawford, 1988

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Untitled contact print, c. 1960s

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Celia Hammond, c. 1960s

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Linda Cuneo, 1961

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Untitled contact print, c. 1960s

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Twiggy, 1966

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Sean Connery, 1962

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Norman Parkinson, 1960

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

TERENCE DONOVAN
TERENCE DONOVAN

Nancy Egerton, c. 1960s

Unique Vintage Silver Gelatin Contact Print, 6 x 6 cm

These unique vintage contact prints, are small photographs made by laying the negative directly onto the surface of the light sensitive paper. Terence Donovan meticulously reviewed his contact sheets, indicating his selected frames by piercing them with a pen or marking them with a chinagraph pencil. He discarded the contact prints of the frames he did not want used, keeping only those that he felt good enough to print or publish. Many also tell the story of their history – they bear crop marks, printing instructions or layout comments. These small, original contact prints of single frames (some more than sixty years old) were kept with his negatives and remain in his archive. As well as being beautiful objects in their own right, they provide an important insight into Terence Donovan’s working process and give us vital information about which shots he felt were most successful from the many hundreds of thousands of photographs taken.

Request print details

Frauke Eigen
Frauke Eigen

Kao, Japan, 2008

Gelatin Silver Print

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Frauke Eigen
Frauke Eigen

Fruhling Nr. 201, 2004

Gelatin Silver Print

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ARMET FRANCIS
ARMET FRANCIS

Fashion Shoot, Brixton Market, 1973

Archival Pigment Print

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CHARLIE PHILLIPS
CHARLIE PHILLIPS

Notting Hill Couple, 1967

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ERNEST WITHERS
ERNEST WITHERS

I Am a Man: Sanitation Workers Strike, Memphis, TN, 1968

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VANLEY BURKE
VANLEY BURKE

Boy with Flag, Winford in Handsworth Park, 1970

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POGUS CAESAR
POGUS CAESAR

Handsworth Riots, Birmingham, UK, 1985

Gelatin Silver Print

© Pogus Caesar/OOM Gallery Archive. All Rights Reserved, DACS/Artimage 2022

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Syd Shelton
Syd Shelton

1 and 2 Jubilee Street, Stepney, 1977

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Irving Penn
Irving Penn

Cuzco (Two Kids), 1948

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