NEW WORKS: NIKO LUOMA
ATLAS are pleased to announce a selection of new works from Niko Luoma. Following the success of his critically acclaimed photographic adaptations of world-renowed paintings, Luoma’s most recent images continue this inspired theme. Working only with light and light sensitive materials, Luoma’s calculated practice involves multiple exposure to a single negative. His latest photographs are unique and contemporary revisions of works by artist’s such as Francis Bacon, Modigliani and Van Gough.
Self-titled Adaptation of Gauguin’s Chair (1888), 2018
Archival pigment print
Self-titled Adaptation of Van Gogh’s Chair (1888), 2018
Archival pigment print
Self-titled Adaptation of Van Gogh’s Chair (Hockney, 1988), 2018
Archival pigment print
Self-titled Adaptation of Gauguin’s Chair (1988), 2018
Archival pigment print
Self-titled Adaptation of Van Gogh’s Chair (1988), 2018
Archival pigment print
Self-titled Adaptation of Pluto and Proserpina (1621–22), 2017
Archival pigment print
Self-titled Adaptation of Peter Getting Out of Nick´s Pool (1966) Version 2, 2018
Archival pigment print
Self-titled Adaptation of Portrait of Henrietta Moraes (1969), 2019
Archival pigment print
Self-titled Adaptation of Portrait of Henrietta Moraes (1969), 2019
Archival pigment print
Self-titled Adaptation of Three Studies for Figures at the Base of Crucifixion (1944/1988), 2019
Archival pigment print
Self-titled Adaptation of Rooms by the Sea (1951), 2019
Archival pigment print
Self-titled Adaptation of Travellers Caught in a Sudden Breeze at Ejiri (1832), 2019
Archival pigment print
Self-titled Adaptation of Death of Socrates (1787), 2019
Archival pigment print
Self-titled Adaptation of Nymphéas (1840), 2017
Archival pigment print
Self titled Adaptation of Nymphéas (1926), 2017
Archival pigment print
Self-titled Adaptation of Vase of Flowers (1780), 2018
Archival pigment print
Self-titled Adaptation of Bouquet of Flowers in a Vase (1890), 2019
Archival pigment print
Self-titled Adaptation of Bouquet of Flowers (ca. 1900–1905, Odilon Redon), 2018
Archival pigment print
Self-titled Adaptation of Flowers (1901), 2018
Archival pigment print
Self-titled Adaptation of After Muybridge – Woman Emptying a Bowl of Water and Paralytic Child on All Fours (Francis Bacon, 1965), 2019 – Version 1
Archival pigment print
Self-titled Adaptation of After Muybridge – Woman Emptying a Bowl of Water and Paralytic Child on All Fours (Francis Bacon, 1965), 2019 – Version 2
Archival pigment print
Self-titled Adaptation of Study for a Portrait on Folding Bed (Francis Bacon, 1963), 2019
Archival pigment print
Self-titled Adaptation of Version 2 Lying Figure with Hypodermic Syringe (Francis Bacon, 1968), 2019 – Version 1
Archival pigment print
Self-titled Adaptation of Version 2 Lying Figure with Hypodermic Syringe (Francis Bacon, 1968), 2019 – Version 2
Archival pigment print
Self-titled Adaptation of Version 2 Lying Figure with Hypodermic Syringe (Francis Bacon, 1968), 2019 – Version 3
Archival pigment print
Self-titled Adaptation of Bigger Splash (1964) (2018)
Archival pigment print
Self-titled Adaptation of Caryatid (1913), 2018
Archival pigment print
Self-titled adaption of Nude Sitting on a Divan (1917) (2018)
Archival pigment print
Standing Blonde nude with dropped Chemise (1917) (2018)
Archival pigment print